Spiritual Views in Emersons The Poet Essay -- Emerson Poet Essays

Spiritual Views in Emersons The Poet Transcendental, and therefore pan offtheist, views run fluidly throughout Emersons texts, especially as he attempts to define his image of the thoroughgoing(a) poet in his study, The Poet. He continually uses religious terms to express his feelings, but warps these terms to fit his own unique spirituality. This proficiency somewhat helps to define his particularised religious views which mirror the view of transcendentalism and pantheism. Emersons ideal poet is a pantheist who can express the symbols of the world through row. Emerson begins the essay by explaining that many mass argon taught rules and particulars to decide what is good art, and therefore deem themselves worthy critics although they have no feeling for art in their soul. He states that intellectual men, perhaps the refrigerant Unitarians from which he broke away, theologians, and modern poets do not acknowledge a relationship between the physical world and the be ware and then praises the highest minds (such as Swedenborg, Plato and Heraclitus) who kind of examine everything to its fullest manifold meaning. I find it interesting that in the lines We were put into our bodies, as liberation is put into a pan and we are but children of the fire, do of it, and only the same divinity transmuted, and at two or triad removes, when we know least about it that Emerson compares human souls to fire. Heraclitus believed that fire was the essence of everything, similar to Anaximanders conceit of apeiron. Emerson here shows his pantheistic view that we have all come from the same divine stuff, and being two or three removes away from its Godly source, we are unable on a basic level to fully comprehend it. This is also remin... ...his ideal poet, and in doing shows that he feels the poet is representative, twain in using voice communication as representative symbols and as a representative of life itself. The ideal poet becomes a portrait o f a man fantastically fold to nature, and therefore close to Emersons view of God. The poet is a spiritual man who transcends our man made reality through introspection into the abyss of Gods Reality, bringing endorse with him carefully sculpted words for man-kinds consumption in an effort to help man-kind better understand life and the world in which it is lived. Works CitedEmerson, Ralph Waldo. The Poet. The Heath Anthology of American Literature, Vol. 1. Third Ed. Paul Lauter, et al., eds. impertinent York Houghton Mifflin Company, 1998. 1646-1661. The Selected Writings of Ralph Waldo Emerson. Ed. Brooks Atkinson. New York Modern Library, 1950. Spiritual Views in Emersons The Poet Essay -- Emerson Poet EssaysSpiritual Views in Emersons The Poet Transcendental, and therefore pantheist, views run fluidly throughout Emersons texts, especially as he attempts to define his image of the perfect poet in his essay, The Poet. He continually uses religious ter ms to express his feelings, but warps these terms to fit his own unique spirituality. This technique somewhat helps to define his specific religious views which mirror the view of transcendentalism and pantheism. Emersons ideal poet is a pantheist who can express the symbols of the world through words. Emerson begins the essay by explaining that many people are taught rules and particulars to decide what is good art, and therefore deem themselves worthy critics although they have no feeling for art in their soul. He states that intellectual men, perhaps the cold Unitarians from which he broke away, theologians, and modern poets do not acknowledge a relationship between the physical world and the mind and then praises the highest minds (such as Swedenborg, Plato and Heraclitus) who instead examine everything to its fullest manifold meaning. I find it interesting that in the lines We were put into our bodies, as fire is put into a pan and we are but children of the fire, m ade of it, and only the same divinity transmuted, and at two or three removes, when we know least about it that Emerson compares human souls to fire. Heraclitus believed that fire was the essence of everything, similar to Anaximanders concept of apeiron. Emerson here shows his pantheistic view that we have all come from the same divine stuff, and being two or three removes away from its Godly source, we are unable on a basic level to fully comprehend it. This is also remin... ...his ideal poet, and in doing shows that he feels the poet is representative, both in using words as representative symbols and as a representative of life itself. The ideal poet becomes a portrait of a man incredibly close to nature, and therefore close to Emersons view of God. The poet is a spiritual man who transcends our man made reality through introspection into the abyss of Gods Reality, bringing back with him carefully sculpted words for man-kinds consumption in an effort to help man-kind better understand life and the world in which it is lived. Works CitedEmerson, Ralph Waldo. The Poet. The Heath Anthology of American Literature, Vol. 1. Third Ed. Paul Lauter, et al., eds. New York Houghton Mifflin Company, 1998. 1646-1661. The Selected Writings of Ralph Waldo Emerson. Ed. Brooks Atkinson. New York Modern Library, 1950.